Documentary about the revolutionary flamenco-rock album "Omega", composed by maestro Enrique Morente and the Granada group Lagartija Nick in 1996. A groundbreaking album with great impact on the national and international music scene in which Morente adapted songs by the singer-songwriter Leonard Cohen and he put music to poems by Federico García-Lorca.

In the sparse landscapes of rural Texas, a downtrodden young woman gets more than she bargained for when she helps a mysterious stranger: a reality-warping power that thrusts her into a dark underworld with ancient origins. As she finds herself hunted by a cabal of hitmen, she must try to master her burgeoning skills and discover who she really is.

这一天，NHK电视台照例播送着家庭剧。突然一则紧急新闻插了进来，漂亮的女主播宣布一个可怕的事实。据美国航天总署NASA的观测，某不明飞行物体正向地球飞来，而它的坠落地点居然就在NHK大楼所在地——东京涩谷区。女主播念到这里大惊失色，与此同时，NHK高层也紧急磋商对策。在万不得已的情况下，他们启动了神秘的Project Omega。短短几分钟内，全日本的能量都注入NHK大楼，随后大楼开始变形，化身为足以媲美奥特曼的机器人。它将以这双巨大的手阻止不明物体的袭击……

这一天，NHK电视台照例播送着家庭剧。突然一则紧急新闻插了进来，漂亮的女主播宣布一个可怕的事实。据美国航天总署NASA的观测，某不明飞行物体正向地球飞来，而它的坠落地点居然就在NHK大楼所在地——东京涩谷区。女主播念到这里大惊失色，与此同时，NHK高层也紧急磋商对策。在万不得已的情况下，他们启动了神秘的Project Omega。短短几分钟内，全日本的能量都注入NHK大楼，随后大楼开始变形，化身为足以媲美奥特曼的机器人。它将以这双巨大的手阻止不明物体的袭击……

The year is 1999. John Travis is the toughest cop alive... In fact the only cop alive. He and his elite force stand between murderous mutants and the remains of humanity...

The year is 1999. John Travis is the toughest cop alive... In fact the only cop alive. He and his elite force stand between murderous mutants and the remains of humanity...

A cat hates people to the extent that he goes to the moon, where he finds Alice in Wonderland to be a realistic portrayal of 19th century England, comparatively speaking.

Omega Wants to Dance is a visually striking documentary filmed across Europe, North America, Asia, and Latin America. It explores how dance, in all its forms, reflects both personal expression and collective identity - shaping how we connect, communicate, and grow as human beings. At the center of the film is a unique question: What makes us human? This perspective opens a broader reflection on how we define ourselves physically, emotionally, and spiritually and where our shared potential as a species might lead.

这部电影采用的是“戏中戏”的结构，写一群人在电影院里看电影，电影中放映的是一个胖女人对她刚去世丈夫的悲痛追忆。她一生都被神经衰弱和忧郁症所折磨，当她无法面对残酷现实的痛苦时便以睡眠作为逃避方式，最后也死在沉睡之中。影片外的情节则是一个节目主持人面对电影观众在讨论苏联的电影历史和现状，但这群观众却个个心不在焉，一个个趁机开溜，最后只有一个睡着的观众和两排穿制服的士兵。 　　风格相当怪诞幽默，但有一丝悲凉苍茫的情绪渗入其中，呈现了一个严肃的苏联电影人对于苏联社会现状的思考：苏联人在面对无法解决的现实问题时竟然以睡觉作为躲避的手段，同时也提出了艺术电影在苏联缺乏知音和市场的现实无奈。

这部电影采用的是“戏中戏”的结构，写一群人在电影院里看电影，电影中放映的是一个胖女人对她刚去世丈夫的悲痛追忆。她一生都被神经衰弱和忧郁症所折磨，当她无法面对残酷现实的痛苦时便以睡眠作为逃避方式，最后也死在沉睡之中。影片外的情节则是一个节目主持人面对电影观众在讨论苏联的电影历史和现状，但这群观众却个个心不在焉，一个个趁机开溜，最后只有一个睡着的观众和两排穿制服的士兵。 　　风格相当怪诞幽默，但有一丝悲凉苍茫的情绪渗入其中，呈现了一个严肃的苏联电影人对于苏联社会现状的思考：苏联人在面对无法解决的现实问题时竟然以睡觉作为躲避的手段，同时也提出了艺术电影在苏联缺乏知音和市场的现实无奈。